“To see the world differently, one must start by thinking differently.” – Anton Gill
Without a doubt, Tania Lebedeff works in perfect synchronicity from both her left and right hemispheres, manifest by the evolution of her work as an overall and total macrocosm. A universe where the human silhouette mutates, is not limited to one viewing angle or one approach, where other figures tengentially stem from the depth of the canvas. A universe that goes beyond matter to better permeate the psyche.
Are we faced with surreal systems and doctrines? Maybe. But, it rather seems to me that the painter’s intrinsic ambition is aimed at piercing the secrets of the soul through her passion for creation. Indeed, Tania Lebedeff is able to depict poetry, movement and marvelous visual discoveries, in such a way as to nourish the spectator’s own perception. We are thus given to understand that these works of art find their meaning and specificity being imbued with dominant awareness of the relationship between content and form. The content being the most distant plane of the image that attempts to break to the surface in a hesitation waltz that transcends the form. Surreptitiously the soul becomes visible and overshadows the incarnate being.Abonnez-vous au contenu de notre site internet pour lire ce texte. Subscribe to our Website content to read more
Text by Michel Bois
To reach Tania Lebedeff :
À l’atelier : 1087, Laurier Blvd, Mont-Saint-Hilaire (Québec) Canada J3G 4S6 514 834-6543
In Montreal : Galerie Richelieu, 7903, Saint-Denis street, Montreal (Québec) Canada H2R 2G2 514-381-2247
Without a doubt, Tania Lebedeff works in perfect…
“Art is the reflection of the human soul dazzled by the splendor of beauty.” – Victor Hugo
If many artists are particularly voluble about their work, others on the contrary remain rather uncommunicative. For his part, Eduard Gurevich is the incarnation of discretion. I am reminded of a fabulous painter, the late Jacques Hurtubise (1939-2014), one of Québec’s leading art figure, who, faced with journalists questioning him about the meaning of his flamboyant painting style, angrily answered: “I painted!”
As if the rest was not of his concern. In short, he maintained that a piece of art should be judged on its own merits, without being subject to convoluted theories and muddy discourses. The sentiment becomes crystal clear upon viewing Gurevich’s paintings. The images are strikingly communicative. There is no need for further discourse or skillful shenanigans. The spectator takes note and is instantly moved, in accordance with his personal life’s journey.Abonnez-vous au contenu de notre site internet pour lire ce texte. Subscribe to our Website content to read more
Texte de Michel Bois
Eduard Gurevich is represented by Galerie Québec Art, 27 and 40, Notre-Dame street, Québec, Qc, Canada – 418 692-8200
If many artists are particularly voluble about…
“Painting is writing with light, said Salva. You must first learn its alphabet, then its grammar. Only then will you be able to master style and magic.” – Carlos Ruiz Zafón.
Despite a climactic career of fifty years, Christian Bergeron remains the best kept secret of Québec’s young history of art. This in spite of the fact that his paintings are selling like hot cakes, here and elsewhere. Indeed, prestigious galleries in the United States, in Europe and largely in Canada, are displaying his undeniable powerfully expressive and attractive works.
A reserved man, of great stature, with piercing eyes, and extremely sensitive, from the outset he states that this will be the third journalistic interview of his fifty years career. Yet the man is rather talkative and knowledgeable about art. I am rather spellbound. His comments on the topicality of art are ringing in my ears as a symphony attuned with knowledge, experience and success.Abonnez-vous au contenu de notre site internet pour lire ce texte. Subscribe to our Website content to read more
Text by Michel Bois
Christian Bergeron is represented by :
Despite a climactic career of fifty years…
“My brush-strokes start in nothing and they end in nothing, and in- between you find the image.” – Karel Appel
The works of Caine Harris displayed at Galerie Québec Art constitute an unexpected and formidable gift of creation in the city of Québec. There is absolutely no commonplace with the clichéd works over-exhibited in surrounding galleries. Whether taking into account the taste of art collectors or of passing tourists, a gallery should also dare to show unusual pieces of incomparable quality. Far from decorative or insipid eye-catching illustrations, Caine Harris’ works are extremely expressive. The proud New Brunswicker is a self-thought and brilliant artist.Abonnez-vous au contenu de notre site internet pour lire ce texte. Subscribe to our Website content to read more
Text by Michel Bois
The works of Caine Harris displayed at Galerie Québec Art…
Painting for the sheer pleasure of it
Artists that can boast of having evolved by following a multifaceted pathway while remaining true to their preferred creative field, are few and far between. Having obtained her postgraduate university degree, Sylvia Audet also taught visual arts while taking part in a myriad of solo and collective art exhibitions. Well-known and recognized by her peers, this artist-painter, residing in the MRC Arthabaska region in Centre-du-Québec, is highly inspired by nature.
“I have always been influenced by the natural environment, and water, in all its forms whether fog, ice, snow or clouds, pervades my paintings. Nature at its purest readily welcomes light, details and contrasts the subtleties of which I never hesitate to explore. The seasons, Mother Nature’s whims and the changing intensities of light always surprise me,” she explains.Abonnez-vous au contenu de notre site internet pour lire ce texte. Subscribe to our Website content to read more
Text by Maxime Rioux
Sylvia Audet’s works are on permanent exhibit at Taillon-Carpe-Diem gallery in Magog.
Her forthcoming exhibition, entitled L’eau, une mine d’art, will be held in the exhibition area of the Lac-Mégantic Sport Centre, from July 8th (Vernissage July 11th) to September 8th 2019.
To view the artist’s paintings and learn more about her artistic process, visit her personal website at www.sylviaaudet-artistepeintre.com
Artists that can boast of having evolved by following…
Portrait of a gallery
Thriving on life’s energy
We are talking here about a studio gallery located in Stoneham, north of Québec. A unique creative centre for a sole prolific artist whose daily labour is evidenced by the presence of pots of acrylic, paintbrushes, painting knives and canvases, as well as various ongoing experimentations, impastos and further investigations into alternative mediums. This adjoining a magnificent gallery area displaying a vibrant collection of completed works. In short, an overall conducive environment for exciting rendezvous with astute collectors.
ARO is the acronym Caroline Bergeron uses to sign her paintings. A genuine driving force, a bundle of energy in the field of business as well as in art; let’s just say the apple did not fall far from the tree. The painter is in fact the daughter of a ceramist mother who had a storefront boutique in Québec’s Petit-Champlain district and of a father who was a prosperous restaurateur with establishments near the Château Frontenac. Thus predestined, at thirteen years old Caroline starts working in restauration during the summer season and in her mother’s boutique during the winter. At nineteen, she begins a career as representative in the food sector for the Campbell Soup Company. Being competent and knowledgeable, she rapidly rises through the ranks and soon advances to the prestigious position of Business Development Director for Québec. All the while, she pursues her studies in marketing and management at Montréal’s HEC (Higher Commercial Studies).Abonnez-vous au contenu de notre site internet pour lire ce texte. Subscribe to our Website content to read more
Text by Michel Bois
Galerie d’art : 2682, boul. Talbot, Stoneham, Québec
By appointment: 418 657-0120
We are talking here about a studio gallery…
“To be a painter means modifying one’s senses. Inverse them so as to see with our fingers and touch with our eyes.” – Thomas H. Cook
Being unaffected by a meeting with master painter Albini Leblanc is near impossible, touched as we unfailingly are by his authenticity towards his artistic pursuit. Encounter with a “monument” who never compromises to please the art market and who willingly opens-up to Magazin’Art about his 40 years unwavering passion.
I first interviewed the man at a time when he was living in a majestic ancestral home ideally located facing the St. Lawrence River in St-Jean de l’Île d’Orléans. His eyes and his paintings then reflected the happiness generated by the scrolling landscapes bordering the river, as much as by the reflective ice patches on the narrow Avenue Royale roadway in winter. For this new tête-à-tête, I am meeting with artist Albini Leblanc in his loft-studio located in the heart of Québec City’s artistic sector. An urban location characterized by ancient and stark factories that have been recycled into artists’ workshops, in short the exact opposite to the island’s rural scenery so close to his heart. A lover of the heritage architecture of small Québecois homes waltzing along side-roads as much as of urban street scenes where sunny rays supersede rain and snow, the nomadic artist always follows his star from which he draws inspiration.Abonnez-vous au contenu de notre site internet pour lire ce texte. Subscribe to our Website content to read more
Text by Michel Bois
Images courtesy of Galerie Symbole Art.
Albini Leblanc is represented by:
Galerie Symbole Art, 2770 de Salaberry, Montréal, QC. H3M 1L3 514 336-2332
Galerie Iris, 30 Saint-Jean-Baptiste Street, Baie-Saint-Paul, QC. G3Z 1L9 418 435-5768
“To be a painter means modifying one’s senses…
“The value of an artist is measured not only through the quality of his work, but equally through the degree of love and perseverance he puts into it.” – Cécile Fortier Keays.
A painter’s career that spans some forty years! With parents that attended Québec’s School of Fine-Arts at the same time as Jean-Paul Lemieux, Dallaire and Paul Lacroix. Jacques Hamel has basked in an artistic universe and has been drawing since the age of 5, always curious about his environment. His hand is firm and steadily develops. Decors and happy atmospheres parade in his head like so many Polaroid pictures instantly revealing themselves to the photographer.
Influenced by his parents’ way of life, but largely diverted by them from the perspective of an artistic career, he nevertheless enrolls, in his a late teens, at the Québec School of Fine-Arts which will later become the Laval University Art School. Somewhat disappointed and embittered at not being able to learn in the manner he sees fit the rudiments and basics of painting, he turns his attention towards the theories and knowledge of graphic design. Antoine Dumas and Claude A. Simard will be his distinguished professors.Abonnez-vous au contenu de notre site internet pour lire ce texte. Subscribe to our Website content to read more
Text by Michel Bois
Jacques Hamel is represented by the prestigious Galerie Douce-Passion 42A, rue Notre-Dame, Québec.
The value of an artist is measured not only through the quality…
The finest of paintings is always achieved via the solid and balanced organization of shapes and colours. Each of Nathalie Lapointe’s works rests on her knowledge of classic structural composition. Portraits. Shadows and lights. Images occupying one third of the canvas.
Mastering the theory of colours. Oil medium transparencies bonding with the grain of the canvas. Skillful work with painting knife. I could go on and on, so broad is her experience. Fascinated with atmospheres and tall buildings, here she is embarking on a new adventure, painting medieval castles precariously clinging to cliffs. Thank you Nathalie Lapointe!Abonnez-vous au contenu de notre site internet pour lire ce texte. Subscribe to our Website content to read more
Text by Michel Bois
Galerie Québec Art, 40, Notre-Dame street, Québec, Qc 418-692-8200
The finest of paintings is always achieved…
Art in a Feminine Perspective
It has actually become daring to do something that is aesthetically pleasing. – Loretta Fasan
Loretta Fasan says that she paints because: “I need to bring certain images to life. I have a strong feeling that I want to create an image of females that have qualities I admire, and as much as possible I am trying to make them iconic.”
Although Fasan will paint landscapes and accept commissions, she also works in series. In particular she has done a number of female heads that are striking for their decorative embellishments. They would be at home on the set of Game of Thrones. “I paint female figures. Sometimes they are mysterious, humorous or serene. Sometimes I use intense and sometimes I use subtle colours, textures, gold leaf and patterns and costumes and I try to create an iconic aspect and then soften it by the facial expression.”
She likes to create and emphasize qualities that are timeless, serenity, hope and attaining grace or being at peace. She likes to represent kindness and gentleness and has no truck with fierceness: “I avoid fierceness, it’s easy to do ugly. It has actually become daring to do something that is aesthetically pleasing.”Abonnez-vous au contenu de notre site internet pour lire ce texte. Subscribe to our Website content to read more
Text by Noel Meyer
Loretta Fasan says that she paints because…
Everything really takes off for René Lalonde with his 1999 participation in the famous New York Art Expo, one of the largest worldwide showcase for visual arts in North America. Although there is a long waiting list of hopeful participants, an unpredictable turn of events provides him with a stand where he exhibits some twenty of his works.
At the time, Lalonde essentially paints imaginary landscapes where are anchored warm and comforting small houses which earn him a loyal audience in Canada. As he has been exploring this theme for some time, he is tempted to do something different for this major art event and decides to embark on this adventure with a completely new proposition: colourful geometric drawings the cubist roots of which are freely and whimsically reinterpreted. He had previously entertained this idea but the public had shown little interest upon his first try at the Denison gallery in Old Montreal. Here was his opportunity to explore this longstanding inner desire to create fragmented abstract structures. Once on site, a major art editor notices his work and promises to convince the President of the Chalk & Vermillion Fine Arts Company and the Sales Manager for Martin Lawrence Galleries to come and see his artworks.Abonnez-vous au contenu de notre site internet pour lire ce texte. Subscribe to our Website content to read more
Text by Lisanne Le Tellier
In Montréal, some of his works can be seen only at Cazeault Gallery on Sherbrooke Street West. The artist can also be reached by email at email@example.com to obtain further information pertaining to his exceptional body of work.
Everything really takes off for René Lalonde…
Multidisciplinary artist, tireless researcher and professional observer, France Malo has, for 45 years, created an inspired and highly diversified body of work. In a variety of mediums, her research reveals her thirst for learning and experimenting.
Long settled in the Mont Saint-Hilaire region with her family, France Malo regarded her artistic calling as a vocation. In primary school she distinguishes herself by winning contests and welcoming minor artistic challenges that will soon hearten her. At eight years old, she tries her hand at sculpting with blue clay she finds behind the family home. Thanks to a contest initiated by Radio-Canada, she travels to Europe to attend an arts summer camp where her curiosity towards varied mediums is heightened. Among other things she discovers cinema, which she will later explore. At fifteen, she exhibits her works for the first time in a café, and launches her graphic design and illustration firm having garnered small contracts such as album covers and comic strips. “The comic strips introduced me to movement,” recalls the artist. “I was mostly aiming for technical perfection at that time.”Abonnez-vous au contenu de notre site internet pour lire ce texte. Subscribe to our Website content to read more
Text by Isabelle Gauthier
Represented by :
Galerie d’Art France Malo, Beloeil
Galerie Nicole Taillon, Magog
Multidisciplinary artist, tireless researcher…
“A man who conquers himself is greater than one who conquers the world.” – Bouddha
Occupying an old building dated 1845, the Chafaud Museum, designed to showcase Percé’s rich artistic heritage, presents exhibitions that feature the splendor of Percé, which is a source of inspiration for a prodigious artistic creation on an international scale.
All through summer, the museum will celebrate the work of Pierre-Paul Bertin, much as a jewel presented in its full splendor in the most luxurious of cases.Abonnez-vous au contenu de notre site internet pour lire ce texte. Subscribe to our Website content to read more
Text by Michel Bois
Pierre-Paul Bertin’s “Le fleuve et son espace”, June 24 to September 24, 2018,
Chafaud Museum, 145 Rte 132 West, rue du Quai, Percé, Qc.
“A man who conquers himself is greater than one…
“Indecent or public, mother, wife, creator and voyeur, I am infatuated with this insane being that lives within me. This magical double that’s been pursuing me ever since childhood.” – Sonia Rykiel
Once you push open the door at 55 rue du Sault-au-Matelot, a memorable experience awaits you. You are entering the universe created by Gisèle Boulianne, an artist who is full of infectious energy, a tamer of light beams, one who embraces wondrous fantasies.
Gisèle Boulianne prevails in every one of her undertakings. Nothing is left to chance. Through trial and error she advances on her merry way until she is conferred with the height of success at home as well as abroad.Abonnez-vous au contenu de notre site internet pour lire ce texte. Subscribe to our Website content to read more
Text by Michel Bois
Galerie d’art – Loft de création Gisèle Boulianne 55, rue Sault-au-Matelot, Vieux port de Québec, G1K 3Y7 418 692-2505 ou 418 802-2505
Once you push open the door at 55 rue du Sault-au-Matelot…
When Chantal Malek has something in mind, nothing can stop her. Once she sets her goal, this shining comet catalyses all of her efforts towards fulfilling her dream and overcomes with aplomb any challenge hindering her path.
From a clear initial vision grounded in her instinct, all of her wishes materialize, one after another, thanks to her audacity and determination anchored to an entrepreneurial spirit. “Once I have a plan in mind, I always take long-term decisions to ensure its realization. We must believe in our capabilities and seek-out what we desire without relying on anyone’s help, seeing our ideas through to the end,” says the artist with confidence. She trusts life and is firmly convinced that everything is accessible, a principle that allows her to go forward and remain undaunted.Abonnez-vous au contenu de notre site internet pour lire ce texte. Subscribe to our Website content to read more
Text by Lisanne Le Tellier
When Chantal Malek has something in mind, nothing can stop her…
Painting a Country
“A work of art is a suspension of time” – Bonnard
It is highly unlikely that one could encounter such a unique creative path in our complicated era when an artist must please his mother, his father, art collectors, local reporters as well as officials from the Ministry of culture. Hence, 86 years old Jacques Jourdain may well be the last romantic artist of this time in the field of visual arts.
Born in 1931 in Three-Rivers, he graduated from the Québec School of Fine Arts in 1956. He was a favorite student of Jean Paul Lemieux who instilled in him the essence of art and imparted his expert advice. He first encouraged him to pursue his creative endeavours, then urged him to look for ways to improve his purely personal approach while cautioning him about possible pitfalls, fleeting fashions and the tortuous art market.Abonnez-vous au contenu de notre site internet pour lire ce texte. Subscribe to our Website content to read more
Text by Michel Bois
Jacques Jourdain is represented by Galerie Douce Passion
42 A, rue Notre-Dame, Québec. 418-648-9292
“A work of art is a suspension of time” – Bonnard…
“The true artist is one who has a sense of life, who enjoys everything, who readily obeys inspiration and who loves all forms of beauty without categorizing,” – George Sand (1846)
Exceptional painter of great humanity, radio and television host, humorist and singer Tex Lecor, whose real name was Henri-Paul-Cyrille Lecorre, was born on June 10th 1933, in Saint-Michel-de-Wentworth, in Québec’s Laurentian region.
He was the eldest of a family of three children. The multitalented artist passed-away on September 9th 2017, at the age of 84. With his ‘coureur des bois’ and ‘lumberjack’ persona, he enjoyed great popularity among a very broad audience through his songs as well as his hosting a very popular TV show for many years. Tex also headlined a humoristic radio show that then revolutionized Montréal’s airwaves. But he was a painter first and foremost, who appreciated being able to live a carefree life as a visual artist thanks to the success of his parallel career in TV and radio. Where did Tex come from? The legend is that when he worked in logging camps, he wore a belt with the word Texas on it, hence the affectionate nickname appropriately dubbed by his coworkers.Abonnez-vous au contenu de notre site internet pour lire ce texte. Subscribe to our Website content to read more
Text by Michel Bois
“The true artist is one who has a sense of life, who enjoys everything…
Delight in Discovery
In this era of image culture where representations of reality are constantly enhanced, what is true anymore in what we see? Debby Talbot’s reflection on the very personal relationship each of us entertains with beauty and seduction may have been influenced by her work as a graphic artist specialising in packaging.
But it may be fitting to ask ourselves whether the human being hasn’t also become a consumer product to be showcased. Photographs are everywhere, alluring and often misleading, in limitless and sprawling
lushness. Retouched, improved or modified, they show individuals that are always at their best in a faultless slideshow, as if life was pure perfection. This visual assumption is what Debby Talbot questions in her artistic approach, overlooking first impressions so the eye may go beyond what it captured at first glance. In this universe of manufactured “looks”, where many feel the need to expose themselves to prove their existence, what is left of the elusive dimension of beauty which does not fall under any predetermined social conditioning? Why should we simply yield to the dictates of modern aesthetics?
Text by Lisanne le Tellier
Debby Talbot is represented by Galerie du Vieux Saint-Jean, in Saint-Jean-sur-Richelieu.
À l’ère du culte de l’image où les représentations du réel sont…
Moving from what can only be described as the very modern to what may now be regarded as one of Canada’s foremost modernist painters the National Gallery is running James Wilson Morrice: The A.K. Pradash Collection in Trust to the Nation from October 13, 2017 to March 18, 2018. Morrice was once described as the best North American painter on the international stage since the death of Whistler.
In 1903 Morrice was the first Canadian artist to show at the Venice Biennale. Morrice lived from 1865 to 1924. In 1890 he moved to Paris to establish himself as a painter. From Paris he would travel through France and eventually go to Morocco and the Caribbean in between returning home to Canada to paint. His work often portrayed the theatricality of modern life and one of his strengths was capturing atmospheric ef fects. As a modernist Morrice compressed his subject matter as opposed to elaborating it but rather than adhere to any artistic dogma developed his own aesthetic.
The show will mark the first time that A.K. Pradash’s gift to the nation will be seen in its entirety and consists of 49 paintings and watercolours. Pradash was a long time contributor to Magazin’art.
Also running at the National is the 2017 Canadian Biennial from October 19, 2017 to March 18, 2017. This is the fourth Biennial that the National Gallery has mounted and usually they feature recent acquisitions that the museum has made. This iteration is slightly different and along with recent works by Canadian and Indigenous contemporary work features international art works as well. All in all over 50 artists and over 100 works of art are featured. The works in question run from painting, sculpture, photography and drawing to prints, video and large scale mixed media installations.
Moving from what can only be described as the very modern…
Portrait of Gallery
“The œuvre emerges in its time and of its time, but it is only once displayed in public that it becomes a timeless work of art.” – André Malraux
The renowned gallery, an integral part of Québec’s cultural heritage if ever there was one, is located on Fort Street, directly across the Château Frontenac. The Galerie Le Chien d’Or transcends the ages, its mission enhanced via the ever rising quality of artworks offered, thanks to the vigilance of the successive proprietors.
Johanne Thomassin, the present owner, purchased the gallery name from Anne Lemieux, the daughter of painter Jean Lemieux (1946-2011). Drawing on her diverse experiences within the art market, the highly talented painter artist has brilliantly taken on the challenge.Abonnez-vous au contenu de notre site internet pour lire ce texte. Subscribe to our Website content to read more
Text by Michel Bois
Galerie Le Chien d’Or, Johanne Thomassin, artist owner – 8, rue du Fort, Québec (Qc)
“The œuvre emerges in its time and of its time…
Art in a Feminine Perspective
A woman of heart! My first impression upon meeting Sonia Reid, an artist who followed an unusual career path. Radiant smile, as beautiful as any model, this charming, passionate and riveting woman warmly welcomes me as we meet in Québec’s Galerie Baron-Lafrenière on this first nice day of spring.
Author, lecturer, painter, Sonia Reid is a woman of many talents. Born in Québec City in 1973, she lived a happy childhood in Notre-Dame des Laurentides with her parents and her two sisters. Most of her family members work in the field of education. Her father was a teacher in the maritime sector. Thus, she wasn’t born into a family where artistic values were omnipresent.
During her youth, Sonia Reid is rather Cartesian, very organized and very athletic. She is interested in mathematics, which leads her to pursue studies in mechanical engineering at Laval University. She later obtains her master’s degree in project management at Université du Québec in Trois-Rivières. Abonnez-vous au contenu de notre site internet pour lire ce texte. Subscribe to our Website content to read more
Text by Frédéric-Marc Gagné
You are invited to come and appreciate this great artist who brings a breath of freshness to Québec contemporary art, from September 1 to 6, 2016, at Galerie Baron Lafrenière, 66, Sault-au-Matelot, Québec city, or on her website: www.soniareid-art.com
A woman of heart! My first impression upon meeting Sonia Reid, an artist who followed an unusual career path…