Everything really takes off for René Lalonde with his 1999 participation in the famous New York Art Expo, one of the largest worldwide showcase for visual arts in North America. Although there is a long waiting list of hopeful participants, an unpredictable turn of events provides him with a stand where he exhibits some twenty of his works.
At the time, Lalonde essentially paints imaginary landscapes where are anchored warm and comforting small houses which earn him a loyal audience in Canada. As he has been exploring this theme for some time, he is tempted to do something different for this major art event and decides to embark on this adventure with a completely new proposition: colourful geometric drawings the cubist roots of which are freely and whimsically reinterpreted. He had previously entertained this idea but the public had shown little interest upon his first try at the Denison gallery in Old Montreal. Here was his opportunity to explore this longstanding inner desire to create fragmented abstract structures. Once on site, a major art editor notices his work and promises to convince the President of the Chalk & Vermillion Fine Arts Company and the Sales Manager for Martin Lawrence Galleries to come and see his artworks.Abonnez-vous au contenu de notre site internet pour lire ce texte. Subscribe to our Website content to read more
Text by Lisanne Le Tellier
In Montréal, some of his works can be seen only at Cazeault Gallery on Sherbrooke Street West. The artist can also be reached by email at firstname.lastname@example.org to obtain further information pertaining to his exceptional body of work.