Fall 2019

Tania Lebedeff

Emergence of Alternating Images

Great Encounter

“To see the world differently, one must start by thinking differently.” – Anton Gill

Without a doubt, Tania Lebedeff works in perfect synchronicity from both her left and right hemispheres, manifest by the evolution of her work as an overall and total macrocosm. A universe where the human silhouette mutates, is not limited to one viewing angle or one approach, where other figures tengentially stem from the depth of the canvas. A universe that goes beyond matter to better permeate the psyche.

Nuit de pleine lune, 48 x 48 in - photo © Guy l’Heureux

Nuit de pleine lune, 48 x 48 in – photo © Guy l’Heureux

Are we faced with surreal systems and doctrines? Maybe. But, it rather seems to me that the painter’s intrinsic ambition is aimed at piercing the secrets of the soul through her passion for creation. Indeed, Tania Lebedeff is able to depict poetry, movement and marvelous visual discoveries, in such a way as to nourish the spectator’s own perception. We are thus given to understand that these works of art find their meaning and specificity being imbued with dominant awareness of the relationship between content and form. The content being the most distant plane of the image that attempts to break to the surface  in  a  hesitation  waltz  that  transcends  the  form. Surreptitiously the soul becomes visible and overshadows the incarnate being.

Les errants, 36 x 48 in - photo © Guy l’Heureux

Les errants, 36 x 48 in – photo © Guy l’Heureux

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Text by Michel Bois

To reach Tania Lebedeff :

À l’atelier : 1087, Laurier Blvd, Mont-Saint-Hilaire (Québec) Canada J3G 4S6 514 834-6543

In Montreal : Galerie Richelieu, 7903, Saint-Denis street, Montreal (Québec) Canada H2R 2G2 514-381-2247

Header image : Globe-trotters diptyque 2 fois, 48 x 36 in (detail) – photo © Guy l’Heureux

Without a doubt, Tania Lebedeff works in perfect…

War and Peace

The contradictory universe of ceramist Laurent Craste

Actual Expression

Ceramist Laurent Craste’s creations plunge us into a unique antithetical universe where the glorification of beauty and the bruising of destruction are literally and figuratively confronted. Voluntarily and specifically, the artist pushes the contradiction between two proposals of opposite meanings; between two general ideas derived from reality. On one part, there is the beauty of porcelain featured at its peak decorative and flamboyant qualities with its classic references, and on the other, the reference to historical and contemporary events marked by major breakages or dramatic societal episodes.

[…] “I use historical archetypes as a material in itself, in an approach that explores the meaning of decorative collectibles.” – Laurent Craste.

Laurent Craste and his work Iconocraste - photo © Laurent Craste

Laurent Craste and his work Iconocraste – photo © Laurent Craste

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Text by Marie-France Bégis

To view Laurent Craste’s works:

– Solo exhibition at Galerie YL-S Art contemporain, Saint-Gabriel de Brandon. Vernissage: September 21, 2019.
Art Toronto contemporary art fair. Galerie 3. From October 25 to 27, 2019.
– Solo exhibition at Galerie 3, Québec. From November 22 to December 22, 2019.
– Group exhibition as part of the eXcentrer series at Galerie d’art Desjardins in Drummondville. From November 8 to December 15, 2019.

Header image : Petite immolation II, porcelain, smoking and encaustic, 15,3 x 33,2 x 20 cm, 2012 – photo © David Bishop Noriega

Ceramist Laurent Craste’s creations plunge us into…

Eduard Gurevich

The Splendor of Nature

Contemporary Realism

“Art is the reflection of the human soul dazzled by the splendor of beauty.” – Victor Hugo

If many artists are particularly voluble about their work, others on the contrary remain rather uncommunicative. For his part, Eduard Gurevich is the incarnation of discretion. I am reminded of a fabulous painter, the late Jacques Hurtubise (1939-2014), one of Québec’s leading art figure, who, faced with journalists questioning him about the meaning of his flamboyant painting style, angrily answered: “I painted!”

As if the rest was not of his concern. In short, he maintained that a piece of art should be judged on its own merits, without being subject to convoluted theories and muddy discourses. The sentiment becomes crystal clear upon viewing Gurevich’s paintings. The images are strikingly communicative. There is no need for further discourse or skillful shenanigans. The spectator takes note and is instantly moved, in accordance with his personal life’s journey.

April’s Adventure, acrylic on canvas, 30 x 30 in

April’s Adventure, acrylic on canvas, 30 x 30 in

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Texte de Michel Bois

Eduard Gurevich is represented by Galerie Québec Art, 27 and 40, Notre-Dame street, Québec, Qc, Canada – 418 692-8200

Header image : Sun’s Birth Place, acrylic on canvas, 38 x 57 in

If many artists are particularly voluble about…

The Temporal Dialogues of

Odette Théberge

Artist Profile

Odette Théberge’s series of works entitled Mementos, Chroniques and Résonances, les murs se racontent are simultaneously embedded with vivid creative energy and a clear willingness to highlight the passage of time. The book-sculptures that initiated the Mementos series stem from a fortuitous discovery that led the artist to reflect on the relevance of books, the material place they hold in our lives and the gradual abandon they are subjected to.

A vivid corpus, of huge significance. Inspired by an event where a group of friends were invited to throw objects or papers in a campfire, meant to signify the end of a chapter in each of their lives, Odette Théberge found the remains of books among the cinders the next morning.

burned books, acrylic, gold leaf, leather and steel (belt)

Memento 26, burned books, acrylic, gold leaf, leather and steel (belt), 17 x 17 x 20 cm

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Texte de Marie-France Bégis

Exposition Résonances, les murs se racontent, Odette Théberge, Centre d’art Louise-Carrier du 8 septembre au 2 octobre 2019.

Header image : Résonance 11 (détail), acrylic and collage on canvas, 100 x 100 cm, 2019

Odette Théberge’s series of works entitled…

Yvan Bédard

Experiencing photography from within

Art and Photography

“Composition must be one of our constant preoccupations, but at the moment of shooting it can stem only from our intuition, for we are out to capture the fugitive moment, and all the interrelationships involved are on the move.” – Henri Cartier-Bresson.

In the era of multimedia and mass consumption of images from all sources, contemporary photography is still able to elevate the photographer’s standing by granting him a special status. He is in fact assigned a dual role since he positions himself as witness while also being an active player. Which is manifest in Yvan Bédard’s creation.

From the time of his adolescence, when he drew, painted and took pictures, this man from the world of science first and foremost remains a lover of art and nature. Emeritus professor at Laval University in Geomatics Engineering, Doctor in Civil Engineering, international lecturer and recipient of several prestigious awards for his research and his writings, he is now completely and passionately committed to landscape photography.

Un autre temps - La rencontre, 20 x 30 in

Un autre temps – La rencontre, 20 x 30 in

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Text by Michel Bois

Galerie Québec Art40, Notre-Dame street, Québec, QC, G1K 4G1 418 692-8200

Header image : Sables éternels – Percée de soleil, 40 x 60 in

In the era of multimedia and mass consumption…

Huguette Joncas


Forms, Volume and Space

A graduate of Laval University’s Faculty of Arts in 1973, Huguette Joncas commences her artistic career painting large format canvases. During the 70s she mostly depicts human figures. She is also interested in serigraphy and soon, gambling on her entrepreneurial skills, she launches her own clothing business in Québec City.

Her signature line proposes pieces of clothing adorned with silk-screened motifs. Already then, the bird is emerging as a preferred theme which will endure and become prominent in her contemporary production. Throughout her career, Huguette Joncas will occasionally revisit textile as support for the creation of painted pieces of clothing during the course of various exhibitions.

Le retour, aluminium and bronze, 70 x 55 x 26 cm

Le retour, aluminium and bronze, 70 x 55 x 26 cm

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Text by Marie-France Bégis

To learn more about Huguette Joncas’ work, visit :

Header image : Le combattant, bronze and aluminium, 40 x 44 x 30 cm

A graduate of Laval University’s Faculty of Arts in 1973…


The Audacity of Hope

Nature and Art

If environmental concerns today profoundly alert most of the planet, this trend was scarcely emerging not that long ago. When the city of Mont-Saint-Hilaire approached Jérémie Boudreault in 2006 asking her to submit an original proposal that would help the region distinguish itself artistically, she immediately contemplated a landmark event featuring nature, in an inspiring setting that would be accessible to all.

“For me, creating with natural elements means effecting great evocative power with very little, within ephemeral and playful works that are thought-provoking while remaining in sync with their environment.” As a youth, Jérémie Boureault entertained a rich imaginary world where she amused herself with almost nothing, and she retains a unique memory of this childlike wonder. Land art echoes this propensity for minimalist staging where the magic of the moment is able to touch and unite spectators around a single impulse. The professional path of this innovator at heart led her towards becoming an actress, an artistic director and producer of short films, even for a while, the owner of a small theatre where she organized, in all simplicity, a myriad of activities often experimental in nature.

C-Juillard, M-Bachelet - photo © Patrick Deslandes

C-Juillard, M-Bachelet – photo © Patrick Deslandes

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Text by Lisanne Le Tellier

514 973-5561

Header image : M-F Bourbeau – photo © Patrick Deslandes

If environmental concerns today profoundly…

Susan Stromberg

Susan Stromberg


The Redpath Museum at McGill University is hosting an international symposium on the critical threat to biodiversity: September 21st and 22nd 2019.

The committee invited Montréal sculptor Susan Stromberg to create a piece representing an endangered amphibian that would be featured at this conference. Other related sculptures she has created during her research will be part of a silent auction held to financially assist the scientists and the students involved during the conference.

Her study of endangered amphibians, specifically frogs, began a new theme in Stromberg’s repertoire and dramatically expanded her concern for the planet.

While the frog was being created, it looked just like a frog, so Stromberg adapted it to look more symbolic and more ‘artistic’ by putting an opening through the abdomen in the shape of a frog on each side and inserting a rare piece of Steuben crystal.

By lighting up the interior of her sculpted frog, Stromberg represented the importance of protection and ongoing reproduction of the species in the chain of life to prevent their extinction from our planet. And… therefore hopefully titled the creation: “Enlightenment”.


Fall 2019

The Redpath Museum at McGill University is…


The Modern Art Museum of Fort Worth, Texas, will present the exhibition Mark Bradford: End Papers. This exhibition focuses upon the key material and fundamental motif the renowned artist employed early in his career and has returned to periodically over the past two decades.

The pivotal works in this exhibition are primarily constructed from end papers, which Mark Bradford learned to use as a hairdresser in his mother’s beauty salon in South Central Los Angeles. These small sheets of translucent paper protect hair from overheating in the process of using curlers to create permanent waves. Part painting and part collage, the colored End Papers works feature grids that contain various hues that pulsate across the surface. Bradford said recently, “I learned my own way of constructing paintings through the End Papers – how to create space, how to use color. And how to provide a new kind of content. They were the beginning for me.”

Bradford’s End Paper works not only allowed him to make beautiful abstract paintings but inspired the artist’s use of “social papers” that related to his biography and his neighborhood. From the End Papers, Bradford began using merchant’s posters, broadsides, and even billboards he found in downtown Los Angeles to make his paintings.

The exhibition will include approximately 35 major End Paper works drawn from private and public collections and new work created by the artist for this presentation. A full-color catalogue will document the exhibition and will include an essay by curator Michael Auping and an interview with the artist. From March 8 to August 9, 2020.


Fall 2019

The Modern Art Museum of Fort Worth, Texas, will present…


The MAC and MOMENTA | Biennale de l’image unite to present Children’s Games by Francis Alÿs. World-renowned for his body of work at the crossroads of the political and poetic, Belgian artist Francis Alÿs is interested in everyday gestures and the political and symbolic potential that they contain. Comprising nearly twenty videos, this project shows how children turn simple, ordinary things – coins, stones, plastic bottles and so on – into the raw material for unlikely and fantastical universes. Through the sparkling imagination of children, Alÿs presents an intimate yet political view of the universal and unifying nature of games. From September 4, 2019 to January 5, 2020.

Painting takes centre stage at the MAC this fall with a major survey of the last decade of work by Montréal painter Janet Werner. Visitors will have an opportunity to gauge the scope of Werner’s practice; since the 1990’s she has developed a unique genre of fictional portraits featuring invented subjects. References to pop culture, humour, and the carnivalesque mingle with an aura of strangeness in Werner’s works as she explores different portrait styles. A major figure in Canadian painting who has played a prominent role in updating the portrait genre, Werner blurs the lines between abstraction and realism, between real and imaginary, to the spectator’s delight. From October 31, 2019 to January 5, 2020.

Revisiting the MAC Rotunda in an original and disruptive way in a new series of inkjet prints, Gisele Amantea combines photographic documentation of this iconic space of the Museum with drawings inspired by Giovanni Battista Piranesi’s mid-eighteenth-century etchings. Her stated intent is a personal critique of the museum and a musing both on its power dynamics and on the position she has in relation to it as an artist. Exhibiting these prints in the Rotunda, the MAC playfully participates in a critique of its own institution at a moment of anticipation before the transformation project begins, in which the Rotunda is slated to disappear. From October 9, 2019 to January 15, 2020.

Also at the MAC, in Je vois ce que tu regardes, works by artists Luis Jacob (Toronto) and Serge Tousignant (Montréal) are brought together in an unprecedented pairing that shows how a field of artistic research – in this case, the spectator’s experience – can be conveyed in different ways. Jacob offers visitors a series of images, his Album X, in which the heterogeneity of subjects and absence of descriptive legends creates a context in which spectators are free to reconstruct linkages and unusual relationships. The effect of Tousignant’s polychrome sculptures formed of colourful shapes is to engage in a more direct relationship with spectators by acting directly on their experience of the space. From October 31, 2019 to January 5, 2020.

Alain Paiement : Bleu de bleu – The result of research developed over a four-year period, Bleu de bleu frames a small concrete-and-asphalt stretch along Highway 20, between Pierre Elliott Trudeau International Airport and downtown Montréal. In this exhibition, the MAC presents the work as it has been integrated into the Musée collection: an installation made up of thirty-two videographic, photographic and sculptural elements, whose conceptual nature is intrinsically linked to its monumental, eponymous in situ placement. The work at the museum remains an experience of time and space, but one revealed through layers of data: it comprises a near-inextricable labyrinthine series of documents and images, of plans, drawings, surveys and projections. From October 31, 2019 to January 5, 2020.

Organized by guest curator Mehdi Brit and MAC curator Mark Lanctôt, EMERGE is an event dedicated to contemporary performance that brings together ten of the most important Canadian and European artists in the discipline. The most complete gathering of performance art ever mounted at the MAC, EMERGE will offer a stimulating encounter among theatre, visual arts, and body art, highlighting the pluridisciplinary nature of the most tantalizing current practices. A series of panels and lectures will accompany the event to complement the program of works presented. From November 19 to 24, 2019.

Fashion is featured at the McCord Museum with the Jean-Claude Poitras: Fashion and Inspiration exhibition which explores the sources of inspiration and the creative work of Montreal designer Jean-Claude Poitras, who left his mark on prêt-à-porter in Montréal, Québec and the rest of Canada over the course of a prolific career. The exhibition sheds light on the creative world of the designer and his sources of inspiration via archival material, multimedia displays and objects, as well as pieces of clothing that have marked and still mark local fashion. From his youth, the Montréal designer has been fascinated with textures, the movement of fabrics, their nature and their colour. This tactile and visual attraction for materials will become the main thread of his professional life. The Jean-Claude Poitras – Mode et inspirations exhibition reveals the designer’s personality via his three major sources of inspiration: family and religion, muses and film, and travel. From October 24, 2019, to April 26, 2020.

The Incas, Treasures of Peru at Pointe-à-Callière – In order to penetrate the secrets of the Inca civilization, its origins and its heritage, and highlight the great refinement of its artistic creations, this Pointe-à-Callière exhibition invites you to explore the captivating world of the Incas and Andean culture – mainly that of Peru – from prehistory to the contemporary era, and discover the splendors of the Incas who were at once the heirs and bequeathers of some of the most fertile customs and exquisite craftsmanship in the world. Trek through the Andean mountains and valleys and admire the remarkable flora and fauna of this exceptional place. Learn about the rites and many skills in agriculture, ceramics, metallurgy, sculpture and weaving of different pre-Inca civilizations that all had a major influence on Inca culture. Then, at the heart of the exhibition, discover the splendour of the Incas, their social organization, and their incredible artistic achievements. From November 27, 2019 to April 13, 2020.

The Viatour-Berthiaume exhibition Sculpter les mots : une rétrospective will be presented at the “Union des écrivaines et écrivains du Québec” and will also be part of the “Festival international de la littérature” from September 19 to December 5, 2019. Between 2008 and 2018, Marie-Annick Viatour and Gaétan Berthiaume successively immerse themselves into the worlds of Michel Tremblay, Fred Pellerin, Kim Thúy and Boucar Diouf and create four corpuses of unique polychrome wood works, resulting in exhibitions that will tour Québec. The UNEQ and FIL invite you to discover the works of Viatour-Berthiaume that blend beauty, ingenuity and playfulness, selected from the 60 unique creations that were inspired by Québécois authors. The short films entitled Sous l’écorce des mots featuring Kim Thúy and Quand Boucar Diouf s’intègre au bois… (FIFA 2019) will be shown throughout the exhibition’s duration. At Maison des écrivains, 3492 Laval Avenue, Montréal, 514 849-8540. From September 19 to December 5, 2019.


Fall 2019

The MAC and MOMENTA | Biennale de l’image unite to present…