Forms, Volume and Space
THUIR (Catalonia, France), Winter 2011
The tramontana, that gale force wind from the Pyrénées, is fiercely blowing on the old town. In a corner of the city square, I am waiting for my husband, somewhat protected from the wind behind a bronze sculpture that is round, warm and maternal, next to a palm tree.
A little further on this same grassed area, next to an olive tree; a second bronze sculpture faces the first, powerful and imposing, representing Saint George overcoming the Dragon. Sant Jordi, the illustrious patron saint of Catalonia from South to North. I look for a signature to no avail, finding only initials. After investigation, I finally learn the name of the creator of these two superb bronze sculptures: Rosa Serra. As days go by, the intensity of the moment I experienced between these two sculptures fades away.Abonnez-vous au contenu de notre site internet pour lire ce texte. Subscribe to our Website content to read more
Text by Christiane Frenay
BIBLIOGRAPHY (Besides numerous articles in the press and magazines)
“Rosa Serra, Una visió monumental” (Art book, 238 pages) Author: Antoni Garrido, author, editor, art critique and founder of the “Fundació de la Premsa Comarcal de Catalunya”. Editor: Edicions el Bassegoda, Olot, 2008.
“Rosa Serra” (Art book, 238 pages) Introduction: Arcadi Calzada, editor. Texts: Josep Valls, philologist, author, art critique. Editor: Galeria d’Art Arcadi Calzada, Olot, 2008.
“Suite Olympique Rosa Serra” (Art book, 128 pages) Texts: Andreu Mercé Varela, sports journalist (Barcelona 1918-2011). Editor: Olympic Museum, Lausanne, Switzerland.
“Xavier Carbonell MANHATTAN” (Art book, 216 pages) Author: Ed McCormack, writing collaborator for Editors of Andy Warhol’s, who has written various articles on art and popular culture for Rolling Stone and The Village Voice, among others. Presently, with his wife Jeannie McCormack he publishes The New York Art Journal Gallery & Studio. Editor: Jadite Gallery, New York, 2010.
“Xavier Carbonell STILL LIFE” (Art book, 200 pages) Author: K. Mitchell Snow, author and art critique, essays and literature. Editor: Jacqueline Rothschild Fine Art, New York, 2001.
“Xavier Carbonell VIATGE I PINTURA” (Art book, 224 pages) Author: Josep Valls, author, biographer, art critique. Editor: Jadite Gallery, New York, 2014.
The tramontana, that gale force wind from the Pyrénées, is fiercely blowing on the old town. In a corner of the city square…
Some time ago the governments of France and The United Arab Emirates, reached a cultural agreement. France and French museums would help build and stock a new museum called The Louvre Abu Dhabi in Abu Dhabi. From May 2-July 28, 2014, the Paris Louvre will be exhibiting 150 of the finest masterpieces which are destined to fill the halls at the Louvre Abu Dhabi, which will start out in life with a collection of 600 works. On display will be ancient jewellry, paintings by Jordaens, Manet and Magritte, a previously unseen papier colle by Picasso and nine paintings by the recently deceased American artist Cy Twombly. The new museum will open in December 2015.
Some time ago the governments of France and The United Arab Emirates, reached a cultural agreement…
I’ve often thought that the view from the roof of a building in Quebec City’s Old Town is pretty much the same view that most North Americans think of as being Parisian and that if you can’t get to Paris, Quebec City more than makes up for that.
The Musee National des beaux-arts du Quebec on the Plains of Abraham will be showing Morrice and Lyman in the Company of Matisse from May 8-September 7, 2014. James Wilson Morrice and John Lyman were two Canadian painters who were able to live abroad in exile as they developed their international reputations.
Lyman studied with Matisse at his Academy in 1910 and Morrice met and became friends with Matisse when both were living in Tangiers. The new exhibition is the first to feature both men in 25 years. The works on exhibition consists of 130 oils on wood, canvas and cardboard and come from museums across Canada and Europe as well as both domestic and international private collections. The exhibition will also mark the first time Matisse’s Palm Leaf, Tangier will be exhibited in Canada. It is there in order to show Matisse’s influence on Morrice’s West Indies paintings.
I’ve often thought that the view from the roof of a building in Quebec City’s Old Town is pretty much the same view that most North Americans…