Magazin'Art


MONTREAL

It may be a little late to mention this one, but if you can you really should visit the Montreal Museum of Contemporary Art and see Julian Rosefeldt’s Manifesto which sadly only runs until January 20, 2019. I say sadly because Manifesto appears to be everything that modern art can and should be. It is  bold, it blurs lines and it has a lot to say. The exhibition is somewhere between the lines made up of film, performance and installation art.

It questions the nature of art and it deals with modern alienation. But most of all it questions. In form the show is made up of 13 channel immersive video installa- tion and features Australian actress Cate Blanchett playing a variety of roles ranging f rom  school  teacher,  factory  worker, homeless man, puppeteer and scientist, among others.

The monologues Blanchett performs, indeed, all the spoken words come from various artists’ manifestos written over the last 150 years. Manifesto draws on manifestos written by Futurists, Dadaists, Fluxus, Suprematists, Situationists and Dogme 95. The words of Claes Oldenberg, Yvonne Rainer, Kazimir Malevitch, Andre Breton, Elaine Sturtevant and Jim Jarmusch are also used.

While Manifesto has toured around the world this is only the second time it can be seen in North America.

Winter 2019

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