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Magazin'Art


OTTAWA

There’s no place like Ottawa in the spring, especially if the tulips are out. If you need a reason to visit, The Charles Edenshaw exhibition that wowed Vancouver has picked up stakes and moved to the National Gallery of Canada and will be showing from March 7 to May 25, 2014.

Edenshaw lived from 1829 to 1920. He was descended from a long line of Haida carvers and in turn his descendents, ran- ging from Bill Reid to James Hart, are among the most distinguished Haida carvers of their day. He worked with wood, silver, argillite and painted the hats his wife wove.

He combined traditional Haida design with an innovative and elegant personal style that helped raise Northwest Coast art to new heights. The exhibition consists of more than 80 works that have been bor- rowed from public and private collections across North America.

Haida art is one of the most powerful art forms that this country has ever given birth to. If you are at all interested in design this exhibition is a must see.

Also on at the NGC’s Rideau Chapel is Janet Cardiff: 40-Part Motet. The sound sculpture is a reworking of Spem in Alium by Thomas Tallis a 16th-century English composer in which 40 individually recorded choir voices are played through 40 speakers positioned around the chapel. The only way I can imagine this is as if you were standing or sitting in an audience and the performers were placed throughout the crowd.

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