Meanwhile down in Kingston, the quiet largesse of influential alumni has been slow ly transforming Queen’s University’s Agness Etherington Art Centre into a major North American hub for European painting and one of the largest repositories for European art in Canada.

Rembrandt’s Circle: Making History, running until December 30, 2014 makes this clear. The exhibition examines how Rembrandt and his circle worked in narra- tive or historical genres. Half the works in the show stem from the 68 works which were recently donated by Alfred and Isabel Bader which are joining the 130 earlier pieces the couple has donated.

Spring 2014

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